more confronting paintings (part two)

Gerard David – The Judgement of Cambyses 1488

Flaying has always both terrified me and made me curious ever since I saw the film Martyrs 2008, by Pascal Laugier.

Jean-Léon Gérôme – The Execution of Marshal Ney. (I really like this painting. The soldiers are walking away, and Ney is dead with his face in the mud. The silence is deafening.)

C. R. W. Nevinson – A taube (1916)

Death of Alan Kurdi

Video

The Most Macabre Painting in Art History

In 1672, the De Witt brothers were beaten, mutilated, and hanged before a crowd. It is even said that the people themselves committed an act of cannibalism with their severed body parts.

Tongue and finger of the De Witt brothers

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Supporters of the De Witt brothers kept Johan’s tongue and a Cornelis’ finger as relics in lead boxes. It also contained documents explaining its contents. Based on these notes, we know that Nicolaas Witsen, mayor of Amsterdam, owned the relics between 1672 and 1717. In 1889 D.J. Cockuyt from Leiden gave the tongue, finger and the accompanying evidence to the museum. The then director had a “small coffin made of old oak wood, with a glass lid” made to display “these important historical objects”. Many museum visitors were shocked at the sight of this new acquisition. On October 23, 1893, the city council of The Hague banned the exhibition of the tongue and finger. Despite this, the body parts of the De Witt brothers have been on display in the gallery for the last thirty years.

In 2011, researchers from the Netherlands Forensic Institute (NFI) determined that the alleged big toe of Cornelis’s left foot was a finger. On the television program ‘Historisch Bewijs’ (Historical Evidence), the tongue and finger were once again scrutinized, this time to investigate their authenticity. It was not possible to draw up a DNA profile with material from the tongue and finger, but it could be established that ‘the finger was forcibly removed from the body and belonged to a man between 40 and 50 in the year 1672’. This makes it a lot more likely that the body parts do indeed come from the brothers Johan and Cornelis de Witt.

Image

Herman van der MIJN

Herman van der MIJN
born Amsterdam 1684
died London 1741
Still life with medallion
1711, Antwerp, Flanders (now Belgium)
oil on canvas
Gift of Susan Cocks and Dr J.B. Robinson, Colin and Robyn Cowan, Emeritus Professor Anne Edwards AO, Gwinnett Family, Peter and Pamela McKee, Tom Pearce, John Phillips and David Urry through the Art Gallery of South Australia Foundation Collectors Club 2019
20197P128
Still life with medallion demonstrates the ongoing importance of the still life genre, a tradition which came to the fore in the seventeenth century, during what is now known as the Golden Age of Dutch Painting. Beyond merely representing beautifully arranged objects, Dutch still lifes are replete with important symbolism and are often associated with the profound concepts of life, death and rebirth. Each of the objects in this exotic concoction of red and white grapes, peaches, apricots, a gourd and chestnut, has its own symbolic meaning, but more generally this work can be interpreted as a vanitas, a sombre reminder of both the beauty and fragility of everyday life.